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neil young-time fades away-CANADA-1973 ORIG LP-24K ALAC

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Music : Rock : Lossless
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*** THIS IS IN 24bit audio  ALAC Lossless FORMAT -  


________________________________________________________________
NFO + TECHNICAL

Technics
1200mkII turntable
AudioTechnica 150series MM cartridge 
mackie u.420d firewire 24/96 mixer
Powerpc dual
1ghz 
TC Spark XL 
________________________________________________________________
EFFECTS-NOISE
SHAPING-REDUX


Minimal declick-denoise applied with CLICKREPAIR if required

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Recorded at 24 bits to maximum 96khz


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information here - tracks ect


neil young-time fades away-CANADA-1973-reprise-MS2151-2448-rmeQ-ALAC
01-time fades away.m4a
02-journey thru the past.m4a
03-yonder stands the sinner.m4a
04-L.A.m4a
05-love in mind.m4a
06-don't be denied.m4a
07-the bridge.m4a
08-last dance.m4a




A really nice
compilation (taken from around 90 dates in a year)
of Live material from Neil Young.
Still not officially
released on Digital format.
Here is the Canadian 1st Pressing.
Incidentally this was an early Digital/Analogue
hybrid recording.

Some of the material on this is my favorite Young material
and he really hits a
resonance with deeper feelings
on this Album, especially with childhood memories
and the self directed goal of
not to give up!





http://freqazoidiac.blogspot.ca/2012/07/neil-young-time-fades-away-canada-1973.html

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N F O

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info below culled from the Neil Young fansite THRASHER'S WHEAT

Neil Young's 1973 "Time Fades Away" is one of the most remarkable live albums ever recorded.

Certainly at the time of release, it was almost unprecedented for an artist to release a live concert recording of
previously unreleased material. Long out of print on vinyl, still unavailable on CD in the early 21st century and widely
bootlegged similar to the original "Missing 6", the album is considered to be the "Holy Grail" of
all Neil Young albums.

"Time Fades Away" is the first installment of the trio of albums known as
the "Ditch Trilogy" along with his two other early 1970's materpieces Tonight's The Night and On The Beach.
The edgy moody darkness of recording and brilliantly erratic song selection offer the portrait of the artist undergoing
a deep catharsis and unraveling simultaneously. The tension is so palpable that most listeners turned away -- or worse
-- ignored completely.

Critic Janet Maslin writes in a 1973 New York Times review on the film Journey Through
the Past about "Time Fades Away":

"... the vocals are wild, agonized, deliberately jarring.
The backing musicians play less than perfectly because they're playing live, but their gut intensity is an ideal match
for Young's new strained sound.
Also Time Fades Away contains one of his all-time great songs, 'Don't Be Denied';
the song mixes autobiographical verses with a chorus that chants the title warning, all adding up to a wail of epic
frustration."

Key to understanding "Time Fades Away" is the context within Neil Young's album
discography. Furthermore, understanding "Time Fades Away" is key to decoding the far more well known followup
releases Tonight's The Night and On The Beach. Released in 1973 following the massive success of the multi-platinum
selling Harvest, fans were definitely expecting those folkie mellow hit tunes like "Heart of Gold".

While fans did hear such Harvest favorites as "Heart of Gold"'s sunny optimism, they also heard more than
just a laid back vibe. Listeners got raw emotional lyrics and high amplification electric guitar. This was not the Neil
Young music they were expecting to hear when they purchased their tickets.

In the often quoted hand written
liner notes of Decade, Neil writes:

"'Heart of Gold' put me in the middle of the road. Traveling there
soon became a bore so I headed for the ditch."
Hence "Time Fades Away" is sometimes referred to as
the first installment of the "Ditch Trilogy". (Other variations include "The Doom Trilogy" and
"The Wilderness Years".)
Young goes onto comment on "Time Fades Away
It was recorded on my
biggest tour ever, 65 shows in 90 days. Money hassles among everyone concerned ruined this tour and record for me but I
released it anyway so you folks could see what could happen if you lose it for a while. I was becoming more interested
in an audio verite approach than satisfying the public demands for a repetition of Harvest."
In a British
Radio Interview with Dave Ferrin (Radio-2 FM, 6/5/1987) transcribed in the Shakey biography Neil comments:

YOUNG: "My least favorite record is Time Fades Away. I think it's the worst record I ever made - but as a
documentary of what was happening to me, it was a great record. I was onstage and I was playing all these songs that
nobody had heard before, recording them, and I didn't have the right band. It was just an uncomfortable tour. It was
supposed to be this big deal - I just had Harvest out, and they booked me into ninety cities.
I felt like a
product, and I had this band of all-star musicians that couldn't even look at each other. It was a total joke."

Rock historian Pete Long writes in Broken Arrow:

"There is a chapter in Neil Young's history
that is often referred to as his Dark Period. A time when his personal life appeared to gradually disintegrate amidst a
series of mishaps and misadventures while critical career decisions seemed irrational and ill thought-out. Yet,
paradoxically it has become recognized as one of the most artistically productive and critically, if not commercially,
acclaimed periods of his life. A period that spawned a trio of outstanding released albums and a legendary unreleased
album."
In a 1995 Neil Young interview with MOJO Magazine he was asked:

MOJO: After the
overwhelming success of Harvest, your next new music was Time Fades Away, an abrasive-sounding live album from a 1973
stadium tour that you'd apparently rather forget. Over 20 years later, the memory of that tour and the subsequent record
still seems too uncomfortable for you...
YOUNG: "Well, we didn't put any of Time Fades Away on Decade, if
that's what you mean."

In a 1999 interview from Q magazine (Broken Arrow Magazine - November 2004 #96,
p. 38):

Q: What's the worst record you ever made?
Neil: "Probably "Time Fades Away" but
only because it makes me so nervous. The whole tour was a nervous experience. It wasn't really a lot of fun. I kind of
got into documenting that vibe. It's not something I want to listen to a lot and when I listen to it I'm not that
impressed."

The album cover photo was taken by Joel Bernstein at the Philadelphia Spectrum on either
January 26 or 27, 1973. Included inside of original vinyl pressings of the album is a large 48" by 36" news
sheet poster of the handwritten lyrics to the albums tortured songs. One my twisted favorites is "L.A." , a
paen to Los Angeles which was perversely performed at UCLA's Royce Hall with the lyrics:

And you now, L.A.
Uptight city in the smog
Don't you wish that you could be here too?
From Robert Christgau's review of
"Time Fades Away": "This is no desperate throwaway or quickie live album. Loud and dense but never heavy,
singing with riffs concocted from the simplest harmonic components, it's squarely country, yet it never hints at
nouveau-rockabilly good times."

Rustie David Skoglund writes in a Funhouse Review that:

"This album is an honest document of a very difficult period in Neil Young's life, both in musical and personal
terms. The descent into darkness continued during the sessions for Tonight's the Night, which started soon after this
album was assembled and mastered. The safe thing would have been not to release these songs at all and let the tour
diminish into memory.
Luckily, Neil Young has never done the safe thing."

The ever harsh critic
Dave Marsh writes that "Time Fades Away" was "erratic, occasionally explosive, flying in the face of soft
rock convention with more screeching guitars, scattered rhythms and a generally rowdy approach."

The
Funhouse Review by David Skoglund provides an excellent context for the 1973 tour circumstances:

"After
the tour rehearsals, it was obvious that Danny Whitten was in no condition to tour, as Whitten was in the midst of
trying to kick a heroin addiction by substituting large quantities of other drugs in its place. He was fired from the
band, and given an airline ticket home and fifty dollars. A day later Whitten was dead of an overdose, having used the
severance money to buy the drugs that killed him.
The start of the tour was right around the corner, so Young and
company made the difficult decision to continue as planned. In early January, the band took to the road for a
three-month trip that was scheduled to visit over sixty cities.

Audiences were treated to a show that
featured an opening solo acoustic set followed by a rock set from the band. The material was drawn mainly from After the
Goldrush and Harvest, along with a smattering of older songs and a batch of new songs. Part way into the tour Young's
voice began to give out. Without the vocal support of Whitten, he was forced to carry more of the vocal chores than ever
before. As the strain of the road and the grief of Whitten's death began to catch up to Young, the shows became more and
more ragged and raw.

In addition to everything else, the road crew tried to negotiate for more money midway
through - the temptation of seeing full arenas every night must have proved too great. A brief break halfway through
provided a chance for Young to regroup; it was obvious that if the tour was to continue, something needed to be done.
Young called up his friends David Crosby and Graham Nash for help, and they came onboard for the last month of the tour
as backup vocalists and rhythm guitarists."

The reasons for Time Fades Away not being re-released on CD
with the other "Missing Six" albums in 2003 remains a mystery. Here's Jef Michael Piehler of SideStreet
Records take on the situation:

"The problem with "Time FadesAway" is even worse, as it
naiv?????ly stated on LP labels: "This Recording Was Mastered 16-Track/Direct To Disc (acetate) by Computer";
the multi-track master tape was recorded/mixed LIVE, leaving little room for remixing the "warts & all"
tape hiss, bad notes &crowd noise.
To reassemble the album, someone would need to sort through fifty or so
???∫" and/or 2" multi-track reels & "a few" cassettes. Finding the right version by
date would be easy enough, but at what stage would the mix be at? Raw recording? Truck monitor mix? Mono PA monitor
recording? And what about necessary over-dubs ("L.A.", "Last Dance")? Where are Crosby's vocals?
How'd they layer the voices like that? ...impossible."

For many fans, the tour and album Time Fades
Away, marked a turning point in their perception of Young's music -- either turning away from forever or towards it with
ever greater appreciation. From long time fan Mike "Expecting To Fly" Cordova's Albums in Order review
series:

"I really don't know how long it took me to understand the artistic statement Neil was making
but I understand now and was starting to understand then that Neil Young was not someone who was going to let a public
perception of him as some kind of laid-back hippie define the art that he was producing. He was following his muse, not
the expectations of his record company or his fans, or the general record-buying public. He was making the music he
wanted to make. I just loved that Neil was not in this to cash out on a few pop-star hits and fade away---he was in this
for the long haul."
It is against this backdrop that we can begin to understand Neil's deteriorating mindset
during the tour and how viscerally this comes across when listening to the album today. Even 30 years later through the
crackles of my well worn vinyl record, I can only imagine what audiences must have thought upon hearing these songs.

The album's influence on long time Neil fans continues to this day. The band R.E.M. has cited the raw live sound
of TFA as influencing their sound on 1996's "New Adventures in Hi-Fi" (Shakey - Neil Young Biography by Jimmy
McDonough footnote p. 399).

The "Time Fades Away" concerts impacted fans much as Bob Dylan's going
electric and hearing cries of "Judas!" at the legendary 1966 Royal Albert Hall performance:

"The concert has since taken on historical overtones similar to that of the 1913 Paris premiere of Igor
Stravinsky???√?√?s Rite of Spring. Like Stravinsky???√?√?s,
Dylan???√?√?s avant-garde experiment was met with outright hostility on the part of the audience.
But in the long run, both innovators were hailed as singular geniuses, dragging their respective audiences and genres
kicking and screaming into theretofore new and unexplored territories which would prove artistically rich and fertile
for themselves and others. Each in their own way were signposts that spoke eloquently of and to their times."
Similarly to Dylan's 1966 Royal Albert Hall becoming a coveted live concert recording avidly sought and widely
bootlegged, Young's "Time Fades Away" concert recordings are regarded to be the "Holy Grail" among
Neil fans.

From All Music Guide Review by Mark Deming:

"While critics and fans were not kind
to Time Fades Away upon first release, decades later it sounds very much of a piece with Tonight's the Night and On the
Beach, albums that explored the troubled zeitgeist of America in the mid-'70s in a way few rockers had the courage to
face. If the performances are often loose and ragged, they're also brimming with emotional force, and despite the dashed
hopes of "Yonder Stands the Sinner" and "Last Dance," "Don't Be Denied" is a moving
remembrance of Young's childhood and what music has meant to him, and it's one of the most powerful performances Young
ever committed to vinyl.
Few rockers have been as willing as Young to lay themselves bare before their audience,
and Time Fades Away ranks with the bravest and most painfully honest albums of his career -- like the tequila Young was
drinking on that tour, it isn't for everyone, but you may be surprised by its powerful effects."

If you
can, find it, listen to it and soak it in. Don't be denied.






Albums In Order
Review Series by Mike "Expecting 2 Fly" Cordova

Neil Young News

In 2004 Rustie, Mike
"Expecting 2 Fly" Cordova posted a series of articles on his experience listening to all of Neil Young's
albums in chronological order. Here is one in the series. For a complete listing, see Albums in Order reviews.

Date: Sun, 28 Nov 2004 14:51:36 -0800 (PST) 
From: Mike Cordova 
To: [email protected]
Subject: Albums
in order: Time Fades Away

There are a few, major watershed events in my personal experience that have formed
my deep regard for Neil Young as a creator of art, of music that affects me in a viscerally fundamental way. My
discovery of After The Goldrush and the catalog that preceded it is one of those. Another is my first live Neil Young
concert in Boulder Colorado on November 6, 1976. Yet another is the album Time Fades Away.

Of course, I did
not realize this right away. When this album came out, when I was a high school senior in 1973, I played it constantly,
liked it very much. As a listenable album, it stands pretty well I think. There are some great Neil Young songs here. LA
is a duplicitous look at the USA's largest city: "city in the smog" + "don't you wish that you could be
here too". Great tune. The Bridge is a romantic and sensual song. The title tune and Journey Through The Past are
solid songs in Neil's catalog. Don't Be Denied is one of the most graphically biographical Neil songs ever and (I think)
one of the most important in his career.

Yet, this was the first album of new songs after the smash hit
Harvest. Time Fades Away was very different; someone expecting a continuation of Harvest or a return to the sounds of
After The Goldrush was bound to be disappointed. I was aware of the tragic loss of Danny Whitten and of a sense among
many that Neil himself was a junkie on the fast-track of the has-been highway because he wasn't making the kind of
records the public expected him to.

But I really dug his artistic defiance. I really don't know how long it
took me to understand the artistic statement Neil was making but I understand now and was starting to understand then
that Neil Young was not someone who was going to let a public perception of him as some kind of laid-back hippie define
the art that he was producing. He was following his muse, not the expectations of his record company or his fans, or the
general record-buying public. He was making the music he wanted to make. I just loved that Neil was not in this to cash
out on a few pop-star hits and fade away---he was in this for the long haul.

Mike - Expecting To Fly
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Direct rip from commercial release .
                                                             

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