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Yes - 1973 - Tales From Topographic Oceans (FLAC 24-48, vinyl, 2LP, Atlantic ATL 80001)

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Torrent File Content (19 files)

Description

Music : Rock : Lossless
      
 
 

24/48
vinyl rip. Atlantic Records ATL 80001. LPs made in Holland.

Side 1
1. The Revealing Science Of God.
Dance Of The Dawn 20:27

Side 2
1. The Remembering. High The Memory 20:38

Side 3
1. The
Ancient. Giants Under The Sun 18:34

Side 4
1. Ritual. Nous Sommes Du Soleil 21:35

Words by
Anderson-Howe, music by Yes

Produced by Yes and Eddie Offord

Recorded at Morgan Studio London
during late summer and early autumn 1973
Tapes Guy Bidmead

Cover design and illustration by Roger
Dean

Co-ordination Brian Lane

Thanks to all at Morgan and Fragile Artists Management

Jon Anderson
Steve Howe
Chris Squire
Rick Wakeman
Alan White

Vinyl etching:
K 80001 A1 E1 1 2 C
80 001 B //HM 21222-1-4-8 1 9 1 1
K 80001 C1
C1 D 1 1
K 80001 D1 C1 D2

Four decades after its release, this is still the most
controversial record in Yes' output. Tales from Topographic Oceans was the place where Yes either fulfilled all of the
promise shown on their previous five albums or slid off the rails in a fit of artistic hubris, especially on the part of
lead singer Jon Anderson and guitarist Steve Howe, who dominated the composition credits here. Actually, the group
probably did a bit of both here across 80 minutes of music on a fully packed double-LP set; the group's musical
ambitions were obvious on its face, as it consisted of four long songs (really suites) each taking up a side of an
album, and each longer than the previous album's side-long "Close to the Edge." And Tales had a jumping-off
point that was as far advanced in complexity and density as Close to the Edge had been out in front of its predecessor,
Fragile, -- and all of it made The Yes Album seem like basic rock & roll. Anderson, by virtue of his voice and
lyrics, is the dominant personality on Tales, and his fascination with Eastern religion is fully manifest, as never
before (or since). Confronted by song titles such as "The Revealing Science of God," and a concept derived
from the Buddhist Shastric scriptures, the casual listener might have felt in need of both
a running start and a sheet of footnotes: Yes keyboard player Rick Wakeman clearly felt something along those lines, as
it was while making this record that he decided to exit the group. And, yet, Tales contains some of the most sublimely
beautiful musical passages ever to come from the group, and develops a major chunk of that music in depth and degrees in
ways that one can only marvel at, though there's a big leap from marvel to enjoy. If one can grab onto it, Tales is a
long, sometimes glorious musical ride across landscapes strange and wonderful, thick with enticing musical textures; it
offers the Yes fan the chance to be a true "astral traveler." Apart from one percussion break by Alan White
that doesn't come off (if there had to be a Yes album with a percussion solo, why couldn't it have come along when Bill
Bruford was in the band?), the music never falls flat, and it's a pity that Wakeman couldn't appreciate the richness and
vitality he brought to the album. And Anderson and Howe get to work in an extraordinarily wide range of musical voices.
In another reality, perhaps the gorgeous, folk-like passages on Tales would have spawned songs of four or five minutes,
but here they are, woven into these long-form pieces, and if one can take the plunge into these particular sonic oceans,
and comfortably stay under long enough, it's a journey that will reward. But it's not a trip for everyone -- or even
every Yes fan -- to take, especially not too soon after discovering the album. - Bruce Eder, AMG                                                            Show Demonoid some love
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