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Olafur Arnalds - Broadchurch (Music From The Original TV Series) (2015)

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 							Soundtrack / Score / Television
  
  Support the artists you like by buying their music!
 
http://www.amazon.com/Broadchurch-Television-Soundtrack-Olafur-Arnalds/dp/B00R3TMCNO
  
  
  
  
  
  Tracklist:
  1. Main Theme
  2. Danny
  3. The Journey
  4. So
Close (feat. Arnor Dan)
  5. Suspects
  6. What Did They Ask You?
  7. She's Your Mother
  8.
Excavating the Past
  9. The Meeting
  10. Broken
  11. I'm Not the Guilty One
  12. So Far (feat.
Arnor Dan)
  13. Beth's Theme 
  
  About:
  Composer: Olafur Arnalds / Ólafur Arnalds
  Year of release of a disk: 2015
  Audio codec: MP3
  Audio Bitrate: 320 kbps
  Duration: 52:48
 

  Audio CD (February 3, 2015)
  Original Release Date: 2015
  Number of Discs: 1
  Label: Mercury
Classics
  ASIN: B00R3TMCNO
  
  “BROADCHURCH” AWARD-WINNING SOUNDTRACK (SERIES 1 & 2)
RELEASED ON MERCURY CLASSICS
  Hypnotic, melancholic beauty from young Icelandic star composer
   
 
London, December 2014. A vital element in the success of record-breaking 2013 British drama Broadchurch was the
hauntingly beautiful, BAFTA Award-winning score by the young Icelandic composer Ólafur Arnalds. To coincide with the
arrival of a much-anticipated second series of Broadchurch in January 2015, Mercury Classics is releasing a full
soundtrack album of musical highlights from both series.
   
  The first series of Broadchurch, about a hunt
for the killer of a young boy in a small coastal community, rapidly became ‘a bona fide national obsession’
(Entertainment Weekly). Produced by Kudos for ITV, it gained an audience of 10 million viewers, making it the
highest-rated drama on the UK’s main commercial channel. When it was later screened in France, it immediately
broke a long-standing viewing record on the channel France 2 and peaked at 7.3 million viewers. The show has enjoyed
similar international success in 135 countries; and generated ITV’s largest ever Twitterstorms of more than
470,000 viewers’ comments, many of them about the music.
   
  The critical response was equally
impressive, and particular emphasis was placed on the score. In addition to scooping three BAFTA Awards (including Best
Drama Series), it won another BAFTA Craft Award for Arnalds’ emotionally powerful and austere soundscapes. Among
a host of other prizes and nominations, the series gained the Best Music spot at the prestigious Bulldog Awards
presented by Televisual, the principal magazine of the TV production industry.
   
  In the Radio Times,
Alison Graham wrote, ‘The terrific music is important in building Broadchurch’s chilly atmosphere and dark
mood. Like the best music, it’s unobtrusive and doesn’t tell you what you should be feeling.’ In
the New York Times, Mike Hale called the score ‘a tasty icing of gloom and foreboding’, and Televisual
commented that ‘the soundtrack was as big as the Broadchurch landscape… and as melancholic as its tragedy
and hidden secrets.’
   
  It is fitting that the score should be praised as highly as Broadchurch as a
whole. Author Chris Chibnall was a long-term fan of Ólafur Arnalds’ albums – which combine
contemporary classical influences, avant-garde electronics, and evocative ambient sounds – and listened to them
when writing the script. The mysterious and melancholy atmosphere of the show had Arnalds’ music in its creative
DNA from the very beginning.
   
  After getting a green light for his project, Chibnall then approached
Arnalds (via his website) to compose the score. The Icelander was just 26 when he was commissioned, but was already a
hugely successful composer and performer both in his homeland and internationally. ‘Ólafur’s music just
broke my heart. I instinctively felt if we could get him, it would be amazing,’ said Chibnall.
   
  In
a remarkably short space of time, Arnalds created an atmospheric and hypnotic score which captured both the mood and
direction of the plot and the imaginations of millions of viewers. He assigned evocative themes to the most important
characters and elements of the story, including the bleak and dominating Broadchurch cliffs (which are in reality part
of the UK’s spectacular Jurassic Coast, a World Heritage Site in Dorset.) ‘The music is a narrative all of
its own,’ commented Chibnall.
   
  The austere and otherworldly score, composed for string quartet,
piano and synthesizer, was recorded in an empty church in Reykjavik. The soundtrack also included a song, ‘So
Close’, sung by Arnór Dan and performed at the end of each episode: Chris Chibnall’s lyrics teasingly
contained a clue to the identity of the killer of young Danny Latimer.
   
  With the advent of the second
Broadchurch series in January 2015 – already widely being hailed as the most eagerly anticipated television
highlight of the year – a full album with music from both parts is available for the first time. It will also
include a new song for season two, ‘So Far’, also sung by Arnór Dan.
   
  Throughout February
2015, Ólafur Arnalds will be touring live performances of the Broadchurch score to major venues throughout the
Republic of Ireland and the UK. The tour will include a concert at Bridport, a town close to the home of writer Chris
Chibnall, and one of the real-life inspirations behind the fictional town of Broadchurch.
  Ólafur Arnalds has
been a Mercury Classics artist since 2012, and enjoyed massive international success with his latest album For Now I Am
Winter, which topped the US Classical Charts and was hailed by critics worldwide. “Sometimes a recording will come
along which possesses such vitality and strength of purpose that it forces one to look at contemporary music from
altogether new perspectives. Ólafur Arnalds’ For Now I Am Winter is such a recording . . . striking, unique
and original.” Pwyll ap Sion, Gramophone 
  
  
  
  Editorial Reviews
  Product Description
  A vital element in the success
of record-breaking 2013 British drama Broadchurch was the hauntingly beautiful, BAFTA Award-winning score by the young
Icelandic composer Ólafur Arnalds. To coincide with the arrival of a much-anticipated second series of Broadchurch
in January 2015, Mercury Classics is releasing a full soundtrack album of musical highlights from both series.
 

  The first series of Broadchurch, about a hunt for the killer of a young boy in a small coastal community,
rapidly became a bona fide national obsession (Entertainment Weekly). Produced by Kudos for ITV, it gained an audience
of 10 million viewers, making it the highest-rated drama on the UK s main commercial channel. When it was later screened
in France, it immediately broke a long-standing viewing record on the channel France 2 and peaked at 7.3 million
viewers. The show has enjoyed similar international success in 135 countries; and generated ITV s largest ever
Twitterstorms of more than 470,000 viewers comments, many of them about the music. The critical response was equally
impressive, and particular emphasis was placed on the score. In addition to scooping three BAFTA Awards (including Best
Drama Series), it won another BAFTA Craft Award for Arnalds emotionally powerful and austere soundscapes. Among a host
of other prizes and nominations, the series gained the Best Music spot at the prestigious Bulldog Awards presented by
Televisual, the principal magazine of the TV production industry.
  
  In the Radio Times, Alison Graham
wrote, The terrific music is important in building Broadchurch s chilly atmosphere and dark mood. Like the best music,
it s unobtrusive and doesn t tell you what you should be feeling. In the New York Times, Mike Hale called the score a
tasty icing of gloom and foreboding , and Televisual commented that the soundtrack was as big as the Broadchurch
landscape... and as melancholic as its tragedy and hidden secrets.
  
  It is fitting that the score should be
praised as highly as Broadchurch as a whole. Author Chris Chibnall was a long-term fan of Ólafur Arnalds albums
which combine contemporary classical influences, avant-garde electronics, and evocative ambient sounds and listened to
them when writing the script. The mysterious and melancholy atmosphere of the show had Arnalds music in its creative DNA
from the very beginning.
  
  After getting a green light for his project, Chibnall then approached Arnalds
(via his website) to compose the score. The Icelander was just 26 when he was commissioned, but was already a hugely
successful composer and performer both in his homeland and internationally. Ólafur s music just broke my heart. I
instinctively felt if we could get him, it would be amazing, said Chibnall. In a remarkably short space of time, Arnalds
created an atmospheric and hypnotic score which captured both the mood and direction of the plot and the imaginations of
millions of viewers. He assigned evocative themes to the most important characters and elements of the story, including
the bleak and dominating Broadchurch cliffs (which are in reality part of the UK s spectacular Jurassic Coast, a World
Heritage Site in Dorset.) The music is a narrative all of its own, commented Chibnall.
  
  The austere and
otherworldly score, composed for string quartet, piano and synthesizer, was recorded in an empty church in Reykjavik.
The soundtrack also included a song, So Close , sung by Arnór Dan and performed at the end of each episode: Chris
Chibnall s lyrics teasingly contained a clue to the identity of the killer of young Danny Latimer.
  
  With
the advent of the second Broadchurch series in January 2015 already widely being hailed as the most eagerly anticipated
television highlight of the year - a full album with music from both parts is available for the first time
  

 Review
  How crucial is a score to a piece of television, or film? Imagine Blade Runner or Chariots Of Fire
without Vangelis. Imagine Star Wars without John Williams. (in fact, you can, there s an early trailer for the movie on
YouTube, which features no John Williams and it s not the Star Wars you know and love.)
  
  Now imagine
Broadchurch without the music of Olafur Arnalds. I can t. One of my biggest fears for series 2 is that we wouldn t be
able to tempt him back and then what would we do? Luckily, he felt as possessive about the show, as we did about him.
  
  For me, the joy of writing and producing drama is the collaboration: seeing great actors, artists,
technicians and craftspeople working at the top of their game. Seeing a director of photography sculpt with light.
Watching an editor cut a sequence together with elegant and precision. Thinking: how do they do that?
  
 
Working with a composer is one of the greatest privileges of all. The thrill of receiving a new set of demos from Olafur
is unrivalled. What he does is singular: he translates emotion into music. Then he aims that music be it tear-inducing,
terrifying or uplifting back at your heart. He never misses.
  
  We re lucky to have him work with us. I
still can t listen to track 2, Beth s Theme, without feeling myself on the verge of tears, thinking about Jodie
Whittaker walking through the aisles of that supermarket surrounded by prying eyes. Or Track 9, first used in episode 8
of series 1, and not feel Ellie s pain. Every piece here is integral to the impact of our show, while also working
superbly as a standalone piece.
  
  What I love is the way Olafur combines classical strings (usually
recorded in a church hall in Reykjavik for that perfect sound) with modern beats, traditional piano with electronic
synths. This eclectic emotionalism (I just made that phrase up, it s hard to talk about music) is always surprising,
always fresh.
  
  There s one other thing you need to know about Olafur Arnalds. He is a lovely person: warm,
generous, collaborative and a lot of fun. He surrounds himself with talented people who share those same traits. Maybe
that s why his music is so honest and heartfelt and true: that s just who he is. His speech when he won the BAFTA for
his work on Broadchurch made a room of hardened TV industry professionals cry and fall in love with him
simultaneously.
  
  Straight to the heart. Never misses. --Chris Chibnall, Dorset December 2014 
  
  
  
   						

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