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From Hell - Ascent From Hell mp3 (2014)

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Description

 							
  FROM HELL is a heavy metal horror concept band in which each recording is intended to be its own horror story. The
first one called “Ascent From Hell”, is about a corpse that wakes up in Hell and finds out he must go back
to earth to find his soul that still lives on inside the body of a priest and drag it back to Hell.
  
  For
this first recording, metal icons Paul Bostaph from Slayer on drums, Steve Smyth from Nevermore on lead guitar and
Damien Sisson from Death Angel on bass were recruited to make this record happen. This recording is diabolically epic,
and heavy as Hell! Every song is different from the next covering many genres of metal from thrash metal and black metal
to death metal and doom metal. This album is as dynamic as metal can be! Also participating in this recording is Phil
Bennett of the iconic rock band Starship, playing piano on the track Dead Reckoning and a 22-piece choir, The Pacific
Mozart Ensemble on four other tracks. Establishing new ground, this record has the first recorded blast beat by Paul
Bostaph, orchestrated with shredding guitar solos from Steve Smyth and heavy melodic & syncopated bass by Damien
Sisson.
  
  Produced by George Anderson and Steve “Snake” Green, guitar player from Skinlab, a
Century Media recording artist, this recording is a theatrical 70 minutes long with segues in between each song to give
additional detail to this horror story. Once the music starts, it never stops until the end.
  
  George
Anderson aka Aleister Sinn – The narrator and character in “Ascent From Hell”. Sinn is The God of
Hell, God of Night, and God of the Living Dead. He was created to tell these heavy metal horror stories, influenced by
the mighty King Diamond. Prior to this project, George was the vocalist and lead guitar player for the Oakland based
thrash band, Down Factor. Performing on two releases, Pure (2003) and Murder the World (2005).
  
  Paul
Bostaph, legendary icon of thrash metal, has played for Slayer, Testament, Exodus and Forbidden and toured the world
over influencing metal bands and drummers in every country. Bostaph joined Slayer in early 1992 and toured and recorded
with them for almost a decade.
  
  Most notable is his drumming on 'Judgment Night' soundtrack with Ice T,
Divine Intervention (1993), Undisputed Attitude (1995), Diabolus In Musica (1997) and Grammy nominated ‘God Hates
Us All’ (2001) in addition to these recordings, Paul also recorded Exodus’ Shovel Headed Kill Machine and
Testament’s ‘The Formation of Damnation’.
  
  Damien Sission plays bass for old-school
thrashers, Death Angel and Potential Threat. He joined Death Angel in November 2009 and recorded their 6th album,
Relentless Retribution and The Dream Calls for Blood (2013). He has performed in over 30 countries, toured and played
alongside other great bands such as Testament, Metallica, Anthrax and Sepultura. He continues to play and record with
Death Angel and Potential Threat. Damien has also played bass for Exhumed and Scarecrow.
  
  Steve Smyth, metal guitar shred master, has played and recorded guitar for legendary acts Forbidden,
Nevermore, Testament, Dragonlord and Vicious Rumors. He has signed with many labels and toured in just about every
country. He has also performed voice-overs for Metalocalypse and has signature B.C. Rich 6 and 7-string Guitars. Steve
continues to record and write for his new band One Machine and The Esseness Project.
  
  
  
  Review:
  
  
  Quote:
  Any album which starts in hell, the walls of the inferno closing in as
harrowing screams abound, gets my vote from the off. Given that the band have named themselves From Hell, their
intentions, of course, were largely clear from the outset, but the fact that they have given credence to their chosen
moniker with such a brutal opening track is certainly laudable. A heavy metal super-group featuring the mighty Paul
Bostaph (Slayer / Testament), Damien Sisson (Death Angel) and Steve Smyth (Nevermore/ Testament), From Hell play a
wondrous range of heavy metal, each track designed to tell a story in the vein of King Diamond, with the result that
‘Ascent from hell’ is a masterclass in storytelling and dissecting the genre of heavy metal. Prepare for
hell…
  
  Opening with ‘standing at the mouth of hell’, a short, instrumental piece that
breathes fire and brimstone, ‘the walking dead’ opens the album proper with a furious and toxic blast of
primal death metal. The guitars scream and burn, the vocals are ground out through a mouthful of broken glass and
shattered teeth and there is no questioning the adrenalin rush that accompanies the band’s furious riffs and
scarifying vocals. As all the songs on the album do, the track ends with a short instrumental segue that links the album
together thematically and musically. ‘Soul crusher’ is no less effective, Paul’s incomparable
percussive assault underpinning George Anderson’s unholy roar and Steve’s inventive lead guitar work. The
songs are long, soaked in hellfire and perspiration, but never dull, the band demonstrating not only their unique
individual talents but also the ability to work in concert, George playing the demented ringleader as the album’s
tale of bloodshed and mayhem unfolds. With the sound of dangling chains still ringing in our ears, the tale gets darker
as sinister chords overlay the sound of a particularly brutal murder before the band unleash the pure sonic evil of
‘psycho killer’, a grinding slab of metal that ranges through a variety of moods and tempos as the band let
the tale unfold over a thrillingly brutal eight minutes. This is pure, unhinged and apocalyptically vital metal and it
is one of the best riffs I’ve come across in months. Adrenalin soaked, ‘Psycho killer’ is one of
those rare songs that sends your body into fight or flight mode, supercharging the nervous system and leaving you
feeling as if you’ve been in a fight with the titular character. It is an early highlight of the album, but such
is the overall strength of song writing that it is not the only one.
  
  ‘Eyes of my dead’
emerges out of the dark chants of the dead, a 22 piece choir providing the blood curdling backing that leads into the
disturbingly placid track only for Steve to suddenly slam out a riff of such primal fury that it tears right across the
surface of the song leaving you flattened by its sheer propulsive power. A schizophrenic, multi-faceted song, what makes
both the song, and the band, stand out is the band’s ability to effortlessly move between styles which keeps even
the album’s longest songs endlessly entertaining. The amusingly titled ‘nun with a gun’ is one of
the album’s shorter songs at a mere six minutes. Powered by a molten guitar riff, it sounds like Megadeth being
covered by High on fire with its furious rhythm and acid-gargle vocals whilst the chorus of “She’s a nun
with a gun, hallelujah!” will surely bring a smile to the face even as you bang your head. The story continues
with ‘the church’, a track that begins with a gruesome discovery and which proves to be a gloriously
unhinged mix of neo-classical melodies, relentless soloing and Paul Bostaff’s merciless, deathly beats
underpinning George’s furious delivery. Gloriously original, you’ll not hear another extreme band craft
such a beguiling mix of hypnotic, brutal metal this year, and such is the scope of the music that it’s no
surprise that elements of doom appear in the latter stages, or that a choir briefly sweetens the sound even as the riffs
are at their most deadly. At nine minutes, ‘dead reckoning’ is the band at their most diverse as they are
joined by Starship’s Phil Bennett on piano for an epic slab of grandiose metal. However, the song falls down a
touch where George employs clean vocals that lack both control and power – on future ventures it would be worth
considering employing a separate clean vocalist especially if the vocals, as they do here, have to compete with the
tender ministrations of a choir. However, when the song hits a more brutal note the band return to form and the song
overall is a success, but it is the weakest piece on the album. In contrast the rumbling riffs and throbbing bass of the
title track sound like a summoning of pure evil and as George employs screams that tear straight from the heart of the
abyss, the band indulge in their darkest passions, grinding out riffs that smoke and smoulder in the pale daylight. The
album closes with another lengthy piece, ‘the sleep’, which opens with a richly textured synth part and
then segues into ferocious death metal underpinned as ever by Damien Sisson’s richly rewarding bass work.
It’s a fitting conclusion to both the album and the story and it leaves you gagging for more from this most
inventive of extreme metal bands.
  
 
Overall From Hell more than deliver on the promise of the concept. The musicians involved were born to create this type
of evil concept album, and it is their stunning musicianship that raises what could well have been a contrived mess to
an art form. The art work, the cleverly constructed story and the excellent production are all perfect and the only
slight criticism that I have for the album is that the clean vocals on ‘dead reckoning’ lack the power and
range that they needed. Imagine someone like ICS Vortex performing the role, with his rich, clean voice, and you would
have had the perfect song. This is, however, a minor point and overall you could not ask for a better, more ambitious or
imaginative concept metal album. Extreme, brilliantly conceived and played, this is a rare gem that is more or less
essential listen for fans of intelligent, brutal metal. ‘Ascent from hell’ is a stunning effort and worth
far more than the not inconsiderable sum of its parts. Make sure you don’t miss out on this one.
  
 
Line-up:
  
  George Anderson -aka Aleister Sinn - vocals and lead guitar
  Steve Smyth - lead guitar
  Paul Bostaph - drums
  Damien Sisson - Bass
  
  
  From Hell - Ascent From Hell (2014)
  
  CBR @ 320kbps
  
  
  
  Tracklist:
 

  1. Standing At The Mouth Of Hell
  2. The Walking Dead
  3. Soul Crusher
  4. Psycho Killer

 5. Eyes Of My Dead
  6. Nun With A Gun
  7. The Church
  8. Dead Reckoning
  9. Ascent From Hell
  10. The Sleep
  
  
  
  
  Genre:	Death
  Subgenre:	Death / Thrash
 
Bitrate:	320 k
  Size:	166.62 MB
  Show/Hide Files: 	
  19 files
   						

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