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Barbary Coast (1935) Edward G Robinson, Miriam Hopkins (TVRip)

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Description

Barbary Coast 



AKAs: Port of Wickedness :  USA (reissue title) 



Year: 1935 

Runtime: 91 minutes 

Film Language(s):  English 

Film Country(s):  USA 

Main Genre: Adventure 

Other Genre(s): Adventure, Drama, Romance,  Western 

Filmed in:  

Black and White 

Sound:  Mono 

More: 

Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis'
Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his
gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael.



Director(s): Howard Hawks  William Wyler (uncredited; replaced by Howard Hawks)



Writer(s): Edward Chodorov  uncreditedBen Hecht  writerStephen Longstreet  uncreditedCharles MacArthur  writer 

Producer(s): Samuel Goldwyn producer   



Composer(s): Alfred Newman



Cast:

Miriam Hopkins - Mary 'Swan' Rutledge

Edward G. Robinson - Luis Chamalis

Joel McCrea - Jim Carmichael

Walter Brennan - Old Atrocity

Frank Craven - Col. Marcus Aurelius Cobb

Brian Donlevy - Knuckles Jacoby

Clyde Cook - Oakie

Harry Carey - Jed Slocum

Matt McHugh - Broncho

Donald Meek - Sawbuck McTavish

Rollo Lloyd - Wigham

J.M. Kerrigan - Judge Harper

Roger Gray - Sandy Ferguson

C.E. Anderson - Vigilante (uncredited)

Frank Benson - Passenger (uncredited)

Herman Bing - Fish peddler (uncredited)

Sven Hugo Borg - Sailor (uncredited)

Nina Campana - Mexican Woman (uncredited)

Wong Chung - Ah Wing (uncredited)

Martin Cichy - Boatswain (uncredited)

Heinie Conklin - Gambler (uncredited)

Jules Cowles - Pilot (uncredited)

Jack Curtis - Drunken Miner (uncredited)

Sidney D'Albrook - Vigilante (uncredited)

Phillip Dare - Boat Passenger (uncredited)

Harry Depp - Clothing peddler (uncredited)

James Dime - Chamalis' Henchman (uncredited)

Curley Dresden - Sailor (uncredited)

Lowell Drew - Roue in Saloon (uncredited)

Billy Engle - Gambler (uncredited)

Patricia Farley - Dance Hall Girl (uncredited)

Martin Faust - Boat Passenger (uncredited)

Al Ferguson - Sailor (uncredited)

Sammy Finn - Gambler (uncredited)

Larry Fisher - Sailor (uncredited)

Olin Francis - Sailor (uncredited)

Edward Gargan - Bill, Henchman (uncredited)

Kit Guard - Kibitzer (uncredited)

Ben Hall - Clarion Printer (uncredited)

Frank Hammond - Vigilante (uncredited)

Otto Hoffman - Pebbles (uncredited)

Harry Holman - Mayor (uncredited)

Jack Holmes - Miner (uncredited)

Robert Homans - Fogged-in ship's captain (uncredited)

John Ince - Rich Miner (uncredited)

Jane Jones - Saloon Trio Singer (uncredited)

Mel Kalish - Saloon Trio Singer (uncredited)

Jack Kenny - Boatman (uncredited)

Bob Kortman - Townsman on Pier (uncredited)

A.B. Lane - Sailor (uncredited)

George Lloyd - Saloon Trio Singer (uncredited)

Tom London - Ringsider with Bar Girl (uncredited)

Theodore Lorch - Helmsman (uncredited)

Loo Loy - Chinese Man on Street (uncredited)

George Magrill - Man Who Falls into Water (uncredited)

Hank Mann - Waiter (uncredited)

Art Miles - Gambler (uncredited)

Frank Mills - Saloon patron at crowded table (uncredited)

Monte Montague - Drunk (uncredited)

Johnnie Morris - Tradesman (uncredited)

David Niven - Cockney Sailor Thrown out of Saloon (uncredited)

Claude Payton - Passenger (uncredited)

Edward Peil Sr. - Vigilante (uncredited)

Jack Pennick - Miner Chasing Chinese Man (uncredited)

Frank Pharr - Gambler (uncredited)

Victor Potel - Wilkins (uncredited)

Russ Powell - Sheriff (uncredited)

Frank Rice - Miner (uncredited)

Constantine Romanoff - Gambler (uncredited)

Dick Rush - Bartender (uncredited)

Harry Semels - Lookout (uncredited)

C.L. Sherwood - Man Who Falls into Water (uncredited)

George Simpson - Lead Line sailor (uncredited)

Bert Sprotte - Passenger (uncredited)

Robert R. Stephenson - Passenger (uncredited)

Harry Tenbrook - Chamalis' Henchman (uncredited)

Cyril Thornton - Steward (uncredited)

Jim Thorpe - Indian (uncredited)

Anders Van Haden - Second Mate McCready (uncredited)

Frederick Vogeding - Captain of the 'Flying Cloud' (uncredited)

Ethel Wales - Mayor's wife (uncredited)

Dave Wengren - First Mate (uncredited)

Clarence Wertz - Drunk (uncredited)

Charles West - Gambler (uncredited)

Blackie Whiteford - Ship's Mate (uncredited)

Robert Wilber - Chamalis' Henchman (uncredited)

Leo Willis - Chamalis' Henchman (uncredited)

Hank Worden - Barfly / Townsman (uncredited)



http://www.imdb.com/title/tt0026097/



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Interleave, duration             : 24 ms (0.72 video frame)





User Comments   (Comment on this title) 

8 out of 11 people found the following comment useful. 

not bad, 7 February 2004 



Author: kf 



I wasn't expecting much when I watched this, but It's pretty good. It's set in San Francsico in 1849 during the gold
rush. It's got a great cast like Miriam Hopkins, Edward G. Robinson, Joel McCrea, Harry Carey, Brian Donlevy and Walter
Brennan. It was also directed by Howard Hawks. Watch it if your a fan of the cast



15 out of 17 people found the following comment useful :-

San Francisco's Experiment With Vigilantes (1851 - 1856), 15 October 2005



Author: tw from United States





In 1848 the Treaty of Guadaloupe Hidalgo ended the Mexican - American War, with the secession of territory from Mexico
to the U.S. of most of the current southwestern U.S. (California, Arizona, New Mexico, any claims to Texas - as well as
parts of Colorado, Utah, and Nevada). This was a war of conquest by the U.S., but to assuage American consciences
fifteen million dollars was paid to Mexico for this territory. Only a subsequent bit of southern Arizona and New Mexico
(known as the "Gadsden Purchase") was made as an addition in 1853 by the Pierce Administration, giving us the
current southwestern border.



While the territory of Northern California (as opposed to the territory of Baja or Southern California - still part of
Mexico) had always been a bit too far from Mexico City for proper control over local government, the change to
Washington, D.C. - more than twice the distance and across a continent - further seemed to weaken national control of
the territory. Moreover the population, being mostly Latino, was hostile to the non-Latino U.S. Government. It is in the
next few years that California's so-called answer to Robin Hood, Joachin Murrieta, is continuing the Mexican War by his
guerrilla/bandit attacks. 



Under normal circumstances, it would have taken a generation for the U.S. to be really bothered by this. But in 1849
gold was discovered in California, and the world rushed in. Suddenly the territory had nearly one million population
within a year, and demanded statehood. This would lead to the controversy about admitting California to the Union as an
free state, and unbalancing the balance of the U.S. Senate. This in turn led to the Compromise of 1850 which enabled
California to enter the Union as a free state, but guaranteed a fugitive slave act as a sop to the South. It put off the
Civil War (or ignited the path to the Civil War) ten years later.



But for a big state, with wealth and population and size, California had a bad reputation. The towns of San Francisco
and Los Angeles boomed in population - in particular San Francisco with it's immense harbor. But their governments were
pitifully unable to maintain public order. Fires (arson caused) were frequent. So were killings, usually tied to
robberies of the prospectors with more gold than sense. Judges and police were frequently paid off by gamblers and crime
gang leaders. Finally, in 1851, the better elements of San Francisco put their foot down and formed a vigilante
committee. They arrested several dubious characters, held stream-lined trials (where many legal niceties were ditched)
and if the parties were found guilty (which usually happened) they were hanged in public. It sort of calmed things down,
but then the continued prosperity of the state caused the same problems to reappear. In 1856 two incidents reignited the
Vigilante Committee. First a local outspoken newspaper editor, James King of William, was shot and killed by a corrupt
local political alderman named James Carey. Then a gambler named Charles Cora shot and killed a police official. Both
men were arrested, given the drum-head trial, convicted, and hanged. The Vigilantes retained control of San Francisco
for the rest of the next year before disbanding. They never had to make a third appearance.



Were they real heroes or a lynch mob? It still is debated. James King of William was right about the corruption and
crime, but he was a "Nativist", and his attacks were also against Catholics, such as Carey (an Irish American)
and Cora (an Italian American). Many of his fellows were also Protestants, and some may have had pecuniary interests in
attacking the businesses controlled by the Catholics. So the real situation is not black and white, like this film
suggests.



Edward G. Robinson's Luis Chamalis was based on Charles Cora, although the triangle with Miriam Hopkins and Joel McCrae
is from whole cloth. Col. Marcus Cobb (Frank Craven) is based on James King of William (although King of William was
never reduced to such stunning superficiality as Cobb is for nearly a year). Robinson's grip on the whole of San
Francisco is fictitious (Cora never had that much power). The leadership of the Vigilantes (Harry Carey) reflect the
moral center of the Vigilantes movement that was unquestioned in American History books of the 1935. 



It is a good film, with fine performances by Robinson, Hopkins, Craven, Brian Donleavy (who's physical appearance makes
him look like the corrupt contemporary Mayor of New York City, Fernando Wood), and Brennan. McCrae is sturdy and acts
well, but his role seems terribly naive. It is fun trying to locate David Niven as a drunken cockney sailor tossed out
of Robinson's saloon (he recalled it fondly in THE MOON'S A BALLOON). Robinson's recollections of the film were downers
in ALL MY YESTERDAYS: he had political disputes about the on-coming World War II with isolationists Hopkins, Carey,
Craven, Brennan, McCrae, and director Hawks. Hopkins kept trying to upstage him and the others, until he let her have it
before the cast and crew (who applauded him for it). He also felt the end was a let down. Quietly told by Carey and his
associates it is time to accompany them to his neck stretching party, he quietly joins them, as though they have come to
take him to deliver a political speech! Still the film merits an "8" out of "10". 

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