BBC Radio Play - Thomas Mann - The Magic mountain (2001)


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Torrent Size : 126.75 MB


BBC Radio Play - Thomas Mann - The Magic mountain (2001)
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BBC Radio Play - Thomas Mann - The Magic mountain (2001)
     The Magic Mountain (Thomas Mann) - (BBC, Alison Hindell, 1 Apr 2001, 5 Jan 2003).mp3 -
126.74 MB

     The Magic Mountain (Thomas Mann) - (BBC, Alison Hindell, 1 Apr 2001, 5 Jan 2003).txt -
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     Torrent downloaded from www.DNoid.me - Demonoid.txt -
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Audio Books : Literary : MP3/128Kbps : English

The Magic Mountain by Thomas Mann

http://genome.ch.bbc.co.uk/352f43a46c82464b99ba66a864b91f5e

First broadcast - BBC Radio 3, Sunday Play, 1 April 2001
Rebroadcast - BBC Radio 3, Drama on 3, 5 January 2003

Thomas Mann's classic tale about Hans Castrop, who visits his cousin in an Alpine sanatorium where, isolated from the rest of the world, Hans finds that he himself is infected. Hans spends the next seven years in the clinic, loses all sense of time and surrenders to the influence of the sanatorium community.

Dramatised by Olwen Wymark

Paul Schofield as Narrator
Robert Whitelock as Hans Castrop
Clive Merrison as Settembrini
Sian Thomas as Clavdia
Simon Ludders as Joachim
John Hartley as Doctor Behrens
Norman Rodway as Peeperkorn*
Rhodri Hugh as Naphta
Richard Elfyn as Doctor Krokowski
Christine Pritchard as Frau Stohr
Manon Edwards as Fraulein Englehardt
Tim Kirkus as Wehsal
Jennifer Vaughan as Hermine
Claire Cage as Veronique

Directed by Alison Hindell

Original Music by Colin Sell

*This was Norman Rodway's last performance before his death.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Duration - 2 hrs 18 min

126 MB (129,782 KB / 132,897,024 bytes)
MPEG-1 Layer 3
48000Hz 128 kb/s tot , Joint Stereo

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Wikipedia - The Magic Mountain

https://en.wikipedia.org/wiki/The_Magic_Mountain

The Magic Mountain (German: Der Zauberberg) is a novel by Thomas Mann, first published in November 1924. It is widely considered to be one of the most influential works of 20th century German literature.

Mann started writing what was to become The Magic Mountain in 1912. It began as a much shorter narrative which revisited in a comic manner aspects of Death in Venice, a novella that he was then preparing for publication. The newer work reflected his experiences and impressions during a period when his wife, who was suffering from a lung complaint, was confined to Dr. Friedrich Jessen's Waldsanatorium in Davos, Switzerland for several months. In May and June 1912 Mann visited her and became acquainted with the team of doctors who were treating her in this cosmopolitan institution. According to Mann, in the afterword that was later included in the English translation, this stay became the foundation of the opening chapter (Arrival) of the completed novel.

The outbreak of the First World War interrupted work on the book. The conflict and its aftermath led the author to undertake a major re-examination of European bourgeois society, including the sources of the willful, perverse destructiveness displayed by much of civilised humanity. He was also drawn to speculate about more general questions surrounding personal attitudes to life, health, illness, sexuality and mortality. Given this, Mann felt compelled to radically revise and expand the pre-war text before completing it in 1924. Der Zauberberg was eventually published in two volumes by S. Fischer Verlag in Berlin.

Mann's vast composition is erudite, subtle, ambitious, but, most of all, ambiguous; since its original publication it has been subject to a variety of critical assessments. For example, the book blends a scrupulous realism with deeper symbolic undertones. Given this complexity, each reader is obliged to weigh up the artistic significance of the pattern of events set out within the narrative, a task made more difficult by the author's irony. Mann himself was well aware of his book's elusiveness, but offered few clues about approaches to the text. He later compared it to a symphonic work orchestrated with a number of themes and, in a playful commentary on the problems of interpretation, recommended that those who wished to understand it should read it through twice.

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