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3 bad men (1926) John Ford (silent) TVRip

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http://www.imdb.com/title/tt0017463



3 Bad Men (1926) 



Directed by 

John Ford   



Three outlaws come to the aid of a young girl after her father is killed.  

  

Writing credits 

Herman Whitaker   (novel 'Over the Border) (as Herman Whittaker)

John Stone   adaptation and  

John Stone   screenplay

Malcolm Stuart Boylan   titles &  

John Stone   scenario and  

Ralph Spence   titles



 Cast 

 George O'Brien ...  Dan O'Malley 

 Olive Borden ...  Lee Carlton 

 Lou Tellegen ...  Sheriff Layne Hunter 

 Tom Santschi ...  'Bull' Stanley 

 J. Farrell MacDonald ...  Mike Costigan 

 Frank Campeau ...  'Spade' Allen 

 Priscilla Bonner ...  Millie Stanley 

 Otis Harlan ...  Editor Zach Little 

 Phyllis Haver ...  Lily (prairie beauty) 

 Georgie Harris ...  Joe Minsk 

 Alec B. Francis ...  Rev. Calvin Benson (as Alec Francis) 

 Jay Hunt ...  Nat Lucas (old prospector) 

 Grace Gordon ...  Millie's pal (uncredited) 

 George Irving ...  Gen. Neville (uncredited) 

 Bud Osborne ...  Hunter's henchman (uncredited) 

 Vester Pegg ...  Henchman shooting Lucas (uncredited) 

 Walter Perry ...  Pat Monahan (uncredited) 



Produced by 

John Ford ....  producer  

  

Original Music by 

Dana Kaproff   (2007 score)  

  

Cinematography by 

George Schneiderman    

  

Second Unit Director or Assistant Director 

Edward O'Fearna ....  assistant director (uncredited)  

  

Costume and Wardrobe Department 

Sam Benson ....  wardrobe (uncredited)  

  

Other crew 

William Fox ....  presenter  

 

Genre:Romance | Western 



Runtime:92 min | Spain:95 min | USA:122 min 



User Comments   (Comment on this title) 

7 out of 8 people found the following comment useful. 

Three Golden and Warm-Hearted Men, 24 July 2009 



Author: CC from Rio de Janeiro, Brazil 



In 1876, an old man finds gold in the Sioux lands, provoking a gold and land rush from immigrants to Dakota. On the way
to Custer, the lonely cowboy Dan O'Malley (George O'Brien) helps to fix the wheel of Mr. Carlton's wagon and flirts with
his daughter Lee Carlton (Olive Borden). Later, Lee and her father are attacked by horse thieves and Mr. Carlton is
murdered; however, the outlaws "Bull" Stanley (Tom Santschi), Mike Costigan (J. Farrell MacDonald) and
"Spade" Allen (Frank Campeau) save her from the criminals and head with her to the camp where the pioneers are
waiting for President Grant proclamation to explore the lands. In the site, the corrupt Sheriff Layne Hunter (Lou
Tellegen) rules with his henchmen with horror and injustice. The trio of outlaws decides that Lee needs to get married
and select Dan to be her husband. When Bull's sister Millie Stanley (Priscilla Bonner) is murdered by Hunter's right arm
Nat Lucas (Jay Hunt), "Bull" organizes the men to chase Hunter. But it is 1877 and the gold and land race of
wagons is ready to start.



The melodramatic '3 Bad Men' is a delightfully naive silent western of the director John Ford. The cinematography is
amazing, and the big land and gold race of wagons is fantastic for a 1926 silent movie, and comparable to the 1992 Ron
Howard's "Far and Away" that uses modern cameras and equipment. The acting is top-notch, and the actors and
actresses are able to transmit intense feelings using body and expressions only, despite the exaggerated acting in the
death of the villain Hunter. There are funny moments, and I liked when Mike and Spade evaluate a dandy to marry Lee; or
when Dan plays a romantic song in his harmonica for Lee; or the dialogs of Mike and Spade. The sequence with the baby is
visibly inspired in Sergei M. Eisenstein's "The Battleship Potemkin" from 1925. The conclusion is corny and
moralist, but absolutely inside the context of the moral and ethical values of the society in 1926. Last but not the
least; the title is not accurate since the three "bad men" are actually three golden and warm-hearted men. My
vote is eight.



11 out of 13 people found the following comment useful :-

An early John Ford gem, 2 September 2005



Author: D from Pembrokeshire, Wales



I like George O'Brien and when I saw the opportunity to own an early silent he made I took it and it was worth it,
although, while he is the named star, he has a relatively small role in it and the movie really belongs to Tom Santschi
who plays Bull, he is exceptional in his role. I'm not a huge fan of westerns, but, I enjoy all of John Ford's as he
approaches his movies with a love of the West as it was being settled rather than the "Cowboys 'n' Injuns"
take on things. This is the story of a girl who loses her father and is taken under the wing of the three bad men in the
title, not that they are really all bad, just a bit naughty really. The real bad guy is the Sheriff who is really
creepy. I don't like to give long detailed synopsises of movies, if I think a movie is good I just like to let people
know that it is worth seeing and this one is. The Land rush sequence is particularly impressive and there is some very
good humour, the inter titling is very well thought out. The acting is very good by all. The only downer is the quality
of the available print, mine was a video from the Killiam collection and could do with a little TLC to restore it to
it's former glory. This movie has absolutely everything and I cannot recommend it highly enough. It's about time more
money was put into the restoration and cleaning up of the silents that were not lost or destroyed, it's a crying shame
when you see movies like this and many others that end up forgotten and unloved through neglect. 



5 out of 5 people found the following comment useful :-

A silent masterpiece, 17 December 2007



Author: Jjc from Los Angeles, CA



*** This comment may contain spoilers ***



I agree with a previous review that the actor who makes the most impression is Tom Santschi, whose story of revenge this
really is. His failure of saving Millie who sees Sheriff Hunter (Lou Tellegrin), her murderer, as the last image she
sees while in Santaschi's arms, is quite cinematic. This hour and a half film has everything you would want in a
western, sound or silent.

There's a cute meet of George O'Brien and Olive Borden and one knows they're going to be together at the end by the 3
"bad men". Santschi is the leader who makes sure that happens. J. Farrell McDonald and Tom Campeau become a
comedy team when they search for a proper suitor for Borden, but when Borden settles for O'Brien, it's settled.

The fight scenes look truly realistic and John Ford shows his genius for great visuals. The church burning scene and the
abandoned infant of the Oklahmoma Land Rush scene are among the best scenes he ever did.

Santschi died in 1931. His sad eyes and his authoritative style is mostly forgotten and is one of the reasons the film
should be better remembered. MacDonad would live on to 1952 and was featured in many Ford and others but barely
registers like he does here. His eyebrows alone are very funny to watch and he, as in the Iron Horse, was very good as
the comedy relief guy.

Great use of the outdoors and putting extra meanings in the framing of scenes was Ford's stock in trade. Not all of his
movies are classic. But this one most definitely is. 



6 out of 7 people found the following comment useful :-

Very good acting and cinematography. Extremely realistic ., 10 March 2005



Author: g from United States



This film convinces me that John Ford deserves his legendary status. He seems to have had his unique gift for cinema
story telling from his beginnings. This is a starkly realistic tale depicting , unromantically , some of the brutal
hardship of the late 19th century west. 

There is great poignancy in the loyalty and ethos which surface in even the most "bad" of men. To convey this
in a silent film , with fairly minimal use of dialogue screens , required some pretty good acting and good camera work.
There are several protracted facial studies which convey the critical messages very eloquently. Through most of the film
I forgot that there was no "talking" dialogue. There are some surprisingly "contemporary" humor
lines on the dialogue screens , not typical of westerns but quite typical of Fords evolving love of pathos. 



6 out of 7 people found the following comment useful :-

Terrific early Ford, 11 September 1999

Author: JS from Oakland CA



3 Bad Men (as the title card shows it) is an outstanding example of the silent western and one of John Ford's earliest
triumphs. The photography is stunning and the land rush sequences truly impressive, and while the story of redemption
and sacrifice is predictable it is nonetheless still moving. 



3 out of 3 people found the following comment useful :-

tragic, funny and grandiose, worth seeing., 10 July 2008

Author: tmw from S. Paulo, Brazil



I enjoyed so much this film, that it made me think that Cinema did not really evolve from silent to talkies, it just
went on in a different direction. I can visualize silent films being made today with narration instead of dialogs. I
would not say this film has a good story, it is over sentimental and naive, but it is a proof of what a great director,
great cinematography and great actors can do. It has of of the funniest scenes when the "bad men" pick up a
dandy in the saloon, his expressions of fear and conceit, also the fantastic way he dances with one of the girls. It
also has a tragic and beautiful scene where a baby is abandoned, during the stampede of horsemen and carriages reminding
one of the pram scene in "Potemkin". And also one of the most spectacular, grandiose scenes where thousands
are waiting for the sound of the cannon to rush for the land. This DVD copy was excellent with a great soundtrack added.








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VINTAGE REVIEW



THREE BAD MEN

starring George O'Brien, Olive Borden, Tom Santschi, J. Farrell McDonald and Frank Campeau

PHOTOPLAY

October, 1926



This is real good entertainment - the kind the whole family can enjoy. A gripping and forceful story, the marvelous
scenic effects, the romantic and tragic conditions of the great West, and the beautiful photography combine to make this
one of the best pictures of the month. The story is centered around the pioneers of America. Those courageous human
beings who gathered together their little belongings and traveled and settled in the West - the land of gold.
Worthwhile.







--------------------------------------------------------------------------------





THREE BAD MEN

starring George O'Brien, Olive Borden, Tom Santschi, J. Farrell McDonald and Frank Campeau

PICTURE PLAY

November, 1926



"Three Bad men" is a superb picturization of the West in the '70's, replete with John Ford, the director's,
deft, human touches. But its emotional appeal is almost nil because of a plot that moves slowly ­ what little there
is of it. Yet, because of the magnificence of the scenery, the beauty of the grouping and lighting, this is not as
serious a drawback as it might have been under direction less inspired.



The story is built around the opening of the Dakotas to the homesteaders in 1877, and the characters, who are many and
various, include three men on whose heads a price has been set by the United States and Mexico; a girl and her father
from Virginia; a boy from Ireland; a villainous sheriff, and an array of lesser characters, all of whom are sharply
distinct and, with one exception, wholly believable, and that exception does not matter.



George O'Brien and Olive Borden are hero and heroine, while the "bad" men are J. Farrell McDonald, Tom
Santschi, and Frank Campeau.

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